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9th
EDITION
Hardback/ Paperback
Paperback / softback
$155.00

Theatre

9th Edition
Publication Date: Jun 16, 2010
ISBN:0073382183 / 9780073382180
Language: English
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Imprint: McGraw-Hill Humanities/Social Sciences/Languages Publisher: McGraw-Hill Education Dimensions: 10.2 X 7.7 Inches (US)
Main Description
This lively introduction to theatre offers equal measures of appreciation of theatrical arts, history of performance, and descriptions of the collaborative theatrical crafts. The author’s enthusiasm for and knowledge of the current theatre, highlighted by contemporary production shots from around the world, put the students in the front row. The text includes extensive excerpts from seven plays: Prometheus Bound, Oedipus Tyrannos, The York Cycle, Romeo and Juliet, The Bourgeois Gentleman, The Three Sisters, and Happy Days, as well as shorter excerpts from The Rover and A Doll's House.

Preface

Introduction

Part 1: The Theatre: Its Elements

Chapter 1: What Is the Theatre?

The Theatre Building

The Company, or Troupe, of Players

The Occupation of Theatre

Work
Art
Impersonation
Performance
Live Performance
Scripted and Rehearsed Performance

Chapter 2: What Is a Play?

Classifying Plays

Duration

Genre

Tragedy
Comedy and Other Genres

Dramaturgy: The Construction of Drama and Dramatic Performance

Drama’s Components: The Vertical Axis
Plot
Characters
Theme
Diction
Music
Spectacle
Conventions
Drama's Timeline: The Horizontal Axis
Preplay
Play
Postplay

Non-Aristotelian Theatre Events

Part 2: The Past

Chapter 3: The Ancients

Ritual

Storytelling

Shamanism, Trance, and Magic

The Beginnings of Traditional Drama

Traditional Drama in Sub-Saharan Africa

Nigerian Masquerade

Egyptian Drama

The Greek Theatre

Origins and Evolution
The Birth of the Dithyramb
The Classic Period
The Theatron
The Spectacle
The City Dionysia

The Greek Plays

Prometheus Bound

Oedipus Tyrannos

The Roman Theatre

Chapter 4: The Middle Ages

The Quem Queritis: From Trope to Drama

Out of the Church

The Corpus Christi Plays at York

The York Cycle

Medieval Morality Plays

Chapter 5: The Renaissance

The Shakespearean Era

The Theatres
The Players
The Plays

The Plays of Shakespeare

Romeo and Juliet

Renaissance Theatre in Italy and Spain
Italy: Machiaveli and the Commedia dell'Arte
Spain's Golden Age

Chapter 6: The Theatre of Asia

Theatre in Asia

The Drama of India Sanskrit Dance-Theatre Kathakali

Chinese Opera: Xiqu Xiqu’s Origins Staging of Xiqu

The Drama of Japan

Kabuki
Kabuki's Origins
Visualizing Kabuki
Kabuki Plays
Kabuki Theatres
Kabuki Scenery
Kabuki Music
Kabuki Actor Families
Kabuki Acting Style
Kabuki Costumes and Wigs
Kabuki Actor-Training and Rehearsals
Kabuki Actors' Assistants
Kabuki Acting Moments
The Kabuki Audience
Kabuki and Artistic Creativity
Kabuki Today
Bunraku: Japan's Puppet Theatre
Asian Theatre Today

Chapter 7: The Royal Era

A Theatre for Courts and Kings

Dramaturgy
Staging Practices

The French Theatre

The Royal Court and the Tennis Court
The Public Theatre Audience
Molière

The Bourgeois Gentleman

England: The Restoration Theatre

The Rover

Part 3: The Modern and the Now

Chapter 8: The Modern Theatre: Realism

Romantic Beginnings

Realism: Likeness to Life

A Laboratory
Henrik Ibsen: The Pioneer of Realism

A Doll's House

The Spread of Realism
Naturalism
Anton Chekhov: The High Point of Realism

The Three Sisters

American Realism
Eugene O’Neill
Clifford Odets
Arthur Miller
Tennessee Williams
August Wilson
Realism and the American Cinema

Chapter 9: The Modern Theatre: Antirealism

Symbolist Beginnings

The Era of "Isms"

Early Isms and Stylizations: A Sampling of Five Plays

The French Avant-Garde: Ubu Roi
Intellectual Comedy: Man and Superman
Expressionism: The Hairy Ape
Metatheatre: Six Characters in Search of an Author
Theatre of Cruelty: Jet of Blood

Postwar Alienation and Absurdity

Theatre of Alienation: Bertolt Brecht
Theatre of the Absurd: Samuel Beckett

Happy Days

Future Directions in Antirealistic Theatre

Chapter 10: The Musical Theatre

The Role of Music in Theatre History

The Development of the Broadway Musical: America's Contribution

Musical Comedy: Gershwin, Kern, Darktown Follies, and Rodgers and Hart
A Golden Age

The Contemporary Musical

The Emergence of Choreographer-Directors
Stephen Sondheim
Black Musicals
Foreign Invasions: British, French, Swedish, and Disney
Musicals of the Twenty-first Century

Chapter 11: Theatre Today

What's Happening?

A Theatre of Postmodern Experiment
A Nonlinear Theatre
An Open Theatre
A Diverse Theatre

Photo Essay: Theatre in the Borderlands

A Global Theatre
A Macaronic Theatre
A Theatre of Difference
A Theatre of Nontraditional Casting
Spectacular Theatre
Verbatim Theatre
A Dangerous Theatre
A Theatre of Community
Movement Art and Dance-Theatre
Solo Performance

Three Theatre-Makers in the Theatre Today

Peter Brook
Robert Wilson
Julie Taymor

Theatre Today: Where Can You Find It?

New York City
Broadway
Off-Broadway and Off-Off-Broadway
Regional American Theatre: Not for Profit
Boston
Chicago
Los Angeles
Minneapolis
Seattle
Washington, D.C.
Shakespeare Festivals
Summer and Dinner Theatres
Amateur Theatre: Academic and Community
International Theatre
Beyond North America

Conclusions about Theatre Today?

Part 4: The Practioners

Chapter 12: The Actor

What Is Acting?

The Paradox of Acting - from Socrates to Stanislavsky
Acting Today
Acting from the Inside: The Stanislavsky Legacy
Emotion Memory
Acting from the Outside
The Actor as Virtuoso
Putting It Together
Magic

Becoming an Actor

The Approach
The Actor's Instrument
Voice and Speech
The Psychological Instrument

Photo Essay: Actor Patrick Stewart

Movement
Discipline

The Actor's Routine

Audition
Rehearsal
Performance

The Actor in Life

Chapter 13: The Playwright

We Are All Playwrights

Literary and Nonliterary Aspects of Playwrighting

Playwrighting as Event Writing

The Qualities of a Fine Play

Credibility and Intrigue
Speakability, Stageability, and Flow
Richness
Depth of Characterization
Gravity and Pertinence
Compression, Economy, and Intensity
Celebration

The Playwright's Process

Dialogue
Conflict
Structure

The Playwright's Rewards

A Sampling of Current American Playwrights

David Mamet
Tony Kushner
David Henry Hwang
Neil LaBute
Lynn Nottage

Photo Essay: Playwright Neil LaBute

Chapter 14: Designers and Technicians

The Design Process

What Design Does

Scenery

Scenic Materials
The Scene Designer at Work

Photo Essay: Scene Designer Tony Walton

The Scene Designer at Work

Lighting

Modern Lighting Design
The Lighting Designer at Work

Photo Essay: Lighting Designer Don Holder

Costumes
The Functions of Costume
The Costume Designer at Work

Photo Essay: Costume Designer Catherine Zuber

Makeup
Sound Design

Photo Essay: Sound Designer Scott Lehrer

Projection Design
Special Effects
Digital Technologies in Theatre Design
The Technical Production Team

Photo Essay: Stage Manager Michael McGoff

Chapter 15: The Director

The Arrival of the Director: A Historical Overview

Teacher-Directors
Realistic Directors
Stylizing Directors
The Contemporary Director

Photo Essay: Director Susan Stroman

Director and Producer
Vision and Leadership
Play Selection
Conceptualizing
Designer Selection
Director-Designer Collaboration

Photo Essay: The School for Wives

Casting
Implementation
Staging
Actor-Coaching
Pacing
Coordinating
Presenting
The Training of a Director

Chapter 16: The Critic and the Dramaturg

Critical and Dramaturgical Perspectives

Social Significance
Human Significance
Artistic Quality
Relationship to the Theatre Itself
Entertainment Value

Critical and Dramaturgical Focus

Professional Criticism
Professional Dramaturgy
Student Criticism and Dramaturgy

We Are the Critics

Glossary

Selected Bibliography

Credits

Index

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